期刊文献+

玻璃艺术中的观念传达 被引量:2

Concept Expression from Glass Art
原文传递
导出
摘要 9世纪末.李格尔将工艺美术引入世界美术史之中.包含我们所熟知的陶瓷、染织、玻璃、象牙雕刻和玉石雕刻等:工艺美术运动的发迹同时也受到立体主义的影响.材料之间的相互运用与雕塑艺术密不可分。在当代语境下,艺术的边界变得宽泛,观念的重要性也逐渐被放大:但在玻璃艺术中. At the end of 19th century,Alois Riegl introduced arts and crafts into the world art history,including ceramics,dyeing.glass,ivory carving and jade carving.The development of the arts and cralts movement was also influenced by cubism,and the mutual use of materials was inseparable frorm sculpture.In the context of contemporary art border becomes broad,and the importance of the concept also gradually be amplied.But in glass art,the expression of ideas tend to be fade out even ignore,the material of glass special feature makes material itself unique identification,artistic creativity stranded on the level of pure pursuit of visual effect,missing the connotation of the spirit.It is particularly importan t to liberate the concept in the process of creative practice through the assistance of technology.
作者 吴昊
机构地区 不详
出处 《上海工艺美术》 2019年第4期90-92,共3页 Shanghai Arts & Crafts
  • 相关文献

同被引文献13

引证文献2

二级引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部