非遗舞蹈论(下)

On Intangible Culture Heritage Dance( Part Two)

舞蹈作为非物质文化遗产(以下简称非遗)的最基本矛盾,就是非遗性、非遗间性与"再创造"之间的矛盾。非遗性与"再创造"之间的矛盾是基础性的,舞蹈的非遗间性则构成了对非遗性与"再创造"的限制与平衡。中国在非遗舞蹈生产、保护、延续和再创造上的特殊性,是因中国历史、国情和社会制度的特殊性,以及非遗舞蹈的自身历史所形成的非遗性、非遗间性与"再创造"的矛盾统一的特殊性而造成的。中国在非遗舞蹈生产、保护、延续和再创造上采取的有中国特色的"文化政策和措施",正是为了应对这种特殊性的需要。对非遗舞蹈进行形态上的审美化,场域上的多元化和内容上的健康化,正是舞蹈作为非遗基本矛盾的中国当代化的统一要求,也是中国特色社会主义的舞蹈文化的本质规定性。

As the most basic contradiction of intangible cultural heritage(hereafter ICH),dance is a contradiction between intangible cultural heritage,interness of intangible cultural heritage and"re-creation".The contradiction between intangible cultural heritage and"re-creation"is fundamental,and interness of intangible cultural heritage of dance constitutes the restriction and balance between intangible cultural heritage and"re-creation".The particularities of Chinese intangible cultural heritage dance’s production,protection,continuation and reproduction,on one hand,is caused by the particularities of Chinese history,national conditions and social system;on the other hand,is caused by the particularities of the unitive contradiction between intangible cultural heritage,interness of intangible cultural heritage,and"re-creation"formed by the history of intangible cultural heritage dance.In order to meet these particularities,China adopts"cultural policies and measures"with Chinese characteristics in the production,protection,continuation and re-creation of intangible cultural heritage dance.In order to meet the unitive requirement of intangible cultural heritage dance as basic contradiction of contemporary China,we need to aestheticize intangible cultural heritage dance in form,diversify in filed and keep healthy in content,which is also the essential stipulation of dance culture of socialism with Chinese characteristics.