摘要
王昌龄在盛唐时期即负才名,李白对他的诗歌多有赞赏。其诗歌的经典化历程主要体现在盛唐及明清时期,并呈现不同的特点。盛唐时期主要针对其对建安诗歌特点的继承性。宋元时期因为理学的兴起,其诗作并未得到过多的重视。明代,因为对唐诗的重视,王昌龄的诗歌重回大众视野。到了清代,经学盛行,对诗歌的评价也产生了重要影响,清人潘德舆更是在其《养一斋诗话》中将王昌龄称为“七绝圣手”,使得王昌龄诗歌的经典性地位得到再次确立。
Wang Chang-ling,the poet of the prosperous Tang dynasty,had lost his talent in the prosperous Tang dynasty.The classical course of his poems is mainly reflected in the prosperous Tang and Ming dynasties,and presents different characteristics.The period of the prosperous Tang dynasty mainly aimed at its inheritance to Jian’an poet.Due to the rise of Neo—Confucianism in Song and Yuan dynasties,his poems did not get much attention.Because of the importance attached to Tang poetry,Wang Chang-ling’s poetry returned to the public view in the Ming dynasty.By the Qing dynasty,Confucian classics had developed in an all-round way,and the evaluation of poetry had an important influence.The Qing people Pan Deyu also called Wang Chang-ling’s“Seven absolute Hand”in his Poems of YangYiZhaiShiHua,so that Wang Chang-ling’s classical status was established again.
作者
锁子云
SUO Zi-yun(College of Humanities,Henan University,Kaifeng 475001,China)
出处
《佳木斯大学社会科学学报》
2019年第6期87-91,共5页
Journal of Social Science of Jiamusi University
关键词
王昌龄
经典化
潘德舆
Wang Chang-ling
classicalization
Pan De Yu