摘要
语言和绘画同属于人类符号活动的组成部分,从符号本体探究语言符号与绘画符号发生的深层次心理机制,更好地洞察和理解二者之间相互交融的共性关系,对于我们更好地认识和把握人类符号乃至人类文化,具有重要的启发和意义。本文认为,"习惯性思维"和"心理图像"为"书画同源"提供了前提,从心理机制上决定了书画类似的演变发展路径;线条对于语言符号和绘画符号的产生,对于语言和绘画的形式空间构建,起到了至关重要的作用。
Language and painting are both part of human symbolic activities. It is of great inspiration and significance for us to explore the deep psychological mechanism of occurrence of language and painting symbols from the perspective of symbolic ontology and to better understand the common relationship between them, so as to better understand and grasp human symbols and even human culture. This paper holds that "habitual thinking" and "psychological image" provide the premise for "the same origin of painting and calligraphy", and determine the similar evolution and development path of painting and calligraphy from the psychological mechanism. Lines play an important role in the generation of language and painting symbols, and in the construction of formal space of language and painting.
作者
杨吉风
YANG Jifeng(School of Foreign Languages,Ludong University,Yantai 264039,China)
出处
《鲁东大学学报(哲学社会科学版)》
2019年第6期60-64,共5页
Ludong University Journal:Philosophy and Social Sciences Edition
基金
山东省社科普及与应用重点项目“进化中的语言”(KPZC)
关键词
语言符号
绘画符号
习惯性思维
心理图像
线条
language symbol
painting symbol
habitual thinking
psychological image
line