摘要
电影是叙说事件的一种现代媒介,也是体验空间的一种艺术形式。本文聚焦于意大利导演米开朗琪罗·安东尼奥尼的"情感三部曲",从城市、街道和建筑三个递进的维度分析这三部电影影像中的空间操作,分析电影语言与建筑表现在空间构成、表意系统上的关联性,探讨了20世纪现代艺术语境中,电影与建筑学定义中的空间概念的异同。
Film is a modern medium for narrating events and an art form of experiencing space.The paper focuses on the"Emotion Trilogy"of Italian director Michelangelo Antonioni,analyzes the spatial operations in the images of these three films from three dimensions of building,street and city.Furthermore,discussion is also made on the relevance of film language and architectural expression in spatial composition and ideographic system.The similarities and differences of the spatial concepts in the definition of film and architecture in the context of modern art in the 20 th century are also explored in this paper.
作者
张燕来
郭涵
鲁黎
Zhang Yanlai;Guo Han;Lu Li(School of Architecture and Civil Engineering,Xiamen University,Xiamen Fujian 361005,China)
出处
《城市建筑》
2019年第25期60-66,共7页
Urbanism and Architecture
