从文化长征到长征文化——以历时态长征文化为考察重点

From Cultural Long March to Long March Culture: Focusing on the Diachronic Long March Culture

1934年至1936年的红军长征,在中国乃至世界历史上产生了既深且远的影响。长征既书写了震撼世界的长征故事,也熔铸了永放光芒的长征精神,又升华为厚重渊博的长征文化。对长征文化的研究必须置入历史视野、贯穿历史逻辑。历时态和共时态的概念,不仅分别从时间轴线和系统框架上描化出长征文化的两种基本样态,而且以纵向与横向相交织的维度提供了解析长征文化的一条基本线索。从中国工农红军长征到新时代中国特色社会主义新的长征,从红军长征期间的文化工作到80多年来长征文化的传承赓续,从长征文化在时间轴线上的历时演进到系统维度中的共时延展,长征文化向我们展现出深沉、厚重、丰富的历史面相。

The Long March of the Red Army from 1934 to 1936 had a profound and far-reaching impact on the history of China and even the world. The Long March not only writes the stories that shocked the world, but also melts the spirit that shines forever, and sublimates it into a profound culture. The study of Long March culture must be put into the historical perspective and run through the historical logic. The concepts of diachronic and synchronic not only depict the two basic patterns of the Long March culture from the time axis and system framework, but also provide a basic clue to analyze the Long March culture in the dimension of interweaving vertically and horizontally. From the Long March of the Red Army to the new Long March of the new era, from the cultural work during the Long March of the Red Army to the inheritance of the Long March culture over the past 80 years, and from the diachronic evolution of the Long March culture on the time axis to the synchronic extension in the system dimension, the Long March culture shows us a profound and rich historical face.