摘要
黎族的建筑文化经历了从早期的自我表征到如今的他人表征的发展历程,从族群的历史场域沿袭到当今的文化场域重构,其建筑风格也逐渐从原真性向象征性转变,甚至完全被现代建筑取代。文化表征主体的转移决定了黎族建筑风格转变的基调,黎族传统建筑文化的保护与开发应遵循以居民为中心的、内生向上式的开发原则。
The architectural culture of the Li nationality has undergone an expression from the early self-representation to the representation of others today.From the historical field of the ethnic group to the reconstruction of the current cultural field,its architectural style has gradually changed from the original to the symbolic,or even completely replaced by modern architecture.The transfer of the subject of cultural representation determines the tone of the transformation of the Li architectural style.The protection and development of the traditional architectural culture of the Li nationality should follow the principle of endogenous and upward development based on the residents.
作者
熊红丽
Xiong Hongli(College of Fine Arts,Hainan Normal University,Haikou Hainan 571158,China)
出处
《城市建筑》
2019年第27期41-43,共3页
Urbanism and Architecture
基金
海南省哲学社会科学规划课题[HNSK(ZC)18-17]
海南省教育科学“十三五”规划课题(QJY13516010)
关键词
文化表征
黎族
建筑风格
cultural representation
Li nationality
architectural style