朗西埃的摄影理论及其对现代主义的反思

Rancière’s Photography Theory and His Reflection on Modernism

摄影在诞生之初,同主导的现代主义艺术话语形成了纠葛的关系,朗西埃通过对罗兰·巴特和本雅明摄影理论的重新解读,跳出了写实主义/现代主义的固有框架,不再以抽象的技术/自然二元对立的方式解读摄影,而视摄影为精神以肉体形式直接在场,克服了诸种图像理论的内在矛盾。朗西埃的图像理论以现代主义话语为批判对象,目的是最终实现其政治旨归,将已经分裂的艺术和日常生活、革命和美学重新融合到一起。

Photography had a complicated relationship with the dominant modernist artistic discourse at the beginning of its birth.Through reinterpreting of Roland Barthes’ s and Benjamin’s photography theories,Rancière’ jumped out of the binary framework of realism/modernism and technology/nature.He regarded photography as perception present directly in physical form,overcoming the weakness of various image theories.Rancière’’s image theory takes modernist discourse as its target,with the aim of finally realizing his political action by merging the split between art and daily life,revolution and aesthetics.