摘要
人们在欣赏高科技媒介支持下的虚拟艺术时所产生的虚拟幻觉带来了全新的沉浸感,但它仍处于"幻觉""艺术的虚构"等审美传统中,是人类与图像、人类与艺术的一种基本关系的体现。表面看来,在虚拟幻觉中,审美距离消失了,审美主体的静观、批判也面临消失的危险,但实际上这却导向了一种新的沉浸感,它诉诸审美主体与艺术媒介之间的互动关系,凸显了媒介的重要性,也最终导向主体与艺术媒介之间的融合共生,形成了一种媒介主体的形式,也形成了人类与世界相关联的一种新方式。这作为一种新的审美机制的重要因素,折射出当今技术时代的文化逻辑与艺术发展的重要趋势。
The new sense of immersion,brought about by virtual illusions in the process of appreciating virtual art that is supported by high-tech media,still follows the aesthetic tradition of"illusion"and"artistic fiction".It shows the fundamental relationship between human and images,and between human and art.It seems that in virtual illusions,aesthetic distance disappears,and then,the aesthetic contemplation and critiques from aesthetic subjects would be endangered.But actually,it leads to a new sense of immersion,which resorts to the interaction between aesthetic subject and art media.This new sense of immersion,which highlights the importance of media,and which ultimately leads to the coexistence of subject and art media,brings about a form of mediated subject,and a new way to rebuild the relationship between human and the world.As an important element in the new aesthetic mechanism,it reflects the cultural logic and the significant tendency of artistic development.
出处
《文化研究》
2019年第2期241-253,共13页
Cultural Studies
关键词
虚拟幻觉
沉浸
审美距离
艺术媒介
交互主体
virtual illusion
immersion
aesthetic distance
artistic media
intersubjectivity