文学图像学视域下的武梁祠汉画像石——图像文本映照下的汉代精神世界

The Han Dynasty Stone Relief in Wuliang Shrine from the Perspective of Literary Iconography——The Spiritual World of Han Dynasty Reflected by Texts and Images

山东嘉祥武氏祠是我国东汉晚期一座著名的家族祠堂,其内部装饰了大量精美的汉代画像石,是我国最重要的一处画像石遗存。祠堂内部的画像石继承与发展了楚地的浪漫主义传统,将神话历史有机融合。其表现的内容上自“羲农”“黄帝”,下至汉代的各种历史人物传说,与《史记》的历史表现也有异曲同工之妙。本文试图通过将图像与文本相互比照,管中窥豹,以期探寻汉代人的精神世界。

The Wushi Shrine in Jiaxiang,Shandong Province is a famous family ancestral hall in the late Eastern Han Dynasty.It is decorated with a large number of exquisite Han Dynasty portrait stones,which is the most important remains of a portrait stone in China.The portrait stones inside the ancestral hall inherit and develop the romantic tradition of Chu,and integrate myth and history organically.The content of its performance has been similar to the historical performances of Historical Records,from the"Xinong"and"Yellow Emperor"to the legends of various historical figures in the Han Dynasty.This article attempts to explore the spiritual world of people in the Han Dynasty by comparing the images with texts.