摘要
迪士尼出品的动漫长片《疯狂动物城》面世虽已三年有余,但其上映后的火爆场景依旧历历在目,且已沉淀为一种富含隐喻的影视文化现象,对现实的启示也日渐凸显,令学界瞩目。该片之所以取得票房和口碑的双赢,究其根本,高超精美的设计与包装自然功不可没,经典母题"美国梦"的贡献也不可小觑,但更为重要的是,制片方在一定程度上摆脱了美国式思维,将融突、和谐观念巧妙地融入其中,超越了传统乌托邦,充满温情的世界主义观照。稍加探究就不难发现,影片的这一主旨与好莱坞一直以来对中国文化哲学的借鉴不无关联,其和合向度尤为凸显。
It has been more than three years since Disney’s Zootopia got released and was put onto the screen worldwide. But this mammalian metropolis adventure is still fresh in our minds as a global billion-dollar blockbuster for new presentation of the old American Dream, its sociopolitical metaphors, its shrewd satire of human behavior, and most importantly its harmony dimensions as reflected in cosmopolitism, which can be well explained by Hollywood’s drawing upon and even following the traditional Chinese culture and philosophy of harmony.
作者
王玉明
冯晓英
WANG Yuming;FENG Xiaoying(School of Foreign Languages,Anhui Agricultural University,Hefei 230036,China)
出处
《安徽农业大学学报（社会科学版）》
2019年第6期113-118,共6页
Journal of Anhui Agricultural University:SOC.SCI.
基金
教育部人文社会科学研究规划基金项目“美国非虚构生态文学的对话性研究”(18YJA752016)
安徽省高校人文社会科学研究重点项目“美国生态文学中的命运共同体研究”(SK2019A0145)
