启蒙逻辑·性别焦虑·个体经验——论韩少功小说中的性别叙事

Enlightenment Logic, Gender Anxiety and Individual Experience —— On the Gender Narration in Han Shaogong′s Novels

性别是韩少功小说叙事的重要场域,并且在不同的创作阶段表现出不同的特征。在早期的伤痕题材小说中,青年男女的城乡恋被置于"文明与愚昧的冲突"叙述框架中,表现出启蒙与被启蒙的故事逻辑;在"寻根"小说中,通过男性身体的女性化叙述和女性对男性身体的依赖,表现出鲜明的性别焦虑;新世纪以来,韩少功小说的性别叙事从个体经验出发,强调历史化因素对感性欲望的作用,表现出现代人生活浮躁、精神虚妄的生存困境。韩少功的性别叙事意蕴丰富、视野宏阔,这都源于他独特的生命体验和精神追求,为我们索解世纪之交的文学话语提供了新的门径。

Gender is an important narrative field in Han Shaogong′s novels, and shows different characteristics in different creative stages. In the early scar-themed novels, the urban-rural love of young men and women are placed in the narrative framework of "the conflict between civilization and ignorance", showing the logic of enlightening and being enlightened. In "Root-seeking" novels, Han Shaogong expresses distinct gender anxiety through the feminization of male body and the dependence of women on men. From individual experience, gender narrative emphasizes the role of historical factors in perceptual desire, which shows the existential predicament of impetuous and spiritual illusions in modern life. Han Shaogong′s gender narrative is rich in connotation and broad in vision, which all stems from his unique life experience and spiritual pursuit, and provides us with a new way to understand the literary discourse at the turn of the century.