村上春树作品文本嵌套现象探析

An Analysis of Text Nestification Phenomenon in Haruki Murakami’s Novels

“文本嵌套”以互文性概念为基础,在叙事性的语句中嵌套了一个个本身没有叙事功能的“符号”,这些符号具有把文本从文学形式中解放出来的功能。村上春树的作品频繁出现具有鲜明特征的文本嵌套现象,即在基本的叙事框架中嵌套丰富的次级文本,并以专有名词次级文本、喻体次级文本、物质环境次级文本等形式呈现。在“能指”与“所指”的对调中,实现了次级文本的身份剧变和新的母体文本的象征指向。文本嵌套既是结构的,又是解构的,它通过人被客观世界的结构化从而实现对主体性的解构。对这一现象的深入挖掘与剖析,有助于从另一个角度看待结构与解构的关系。另外,从日本文学传统的角度来看,文本嵌套可以说是“物哀”在现代语境中的变形重生,是对“物哀”抒情传统的颠覆性继承。

Based on the concept of intertextuality,“text nestification”refers to the literary phenomenon that in narrative sentences,there nest some non-narrative“signs”,by which the text is released from the literary form.The characteristic text nestification phenomenon appears frequently in Haruki Murakami s novels,that is,a large number of secondary texts nest in the basic narrative structure,which are presented in three forms:secondary text of proper noun,secondary text of metaphor object,and secondary text of physical environment.In the switch between the“signifier”and the“signified”,the identity change of secondary texts and the symbolic direction of the new matrix texts are realized.Text nestification is constructing as well as deconstructing,through characters being constructed by the objective world to realize the deconstruction of subjectivity.The excavation and analysis of this phenomenon helps to comprehend the relationship between construction and deconstruction from a new perspective.Besides,from the perspective of traditional Japanese literature,text nestification is the transformation and rebirth of“substance sadness”in the modern context and the subverted inheritance of emotional expression tradition of“substance sadness”.