摘要
随着现代服务理念、现代媒体技术和新型信息传播方式的发展,博物馆展览模式由传统的以实物为核心的艺术品陈列向信息主导型陈列转变。系统的、综合性的文物解读对于构建展览故事线有至关重要的作用。"秦蜀之路青铜文明特展""金色记忆——中国出土14世纪前金器特展""盛筵——见证《史记》中的大西南"等文物专题展围绕打破原生遗迹单位的器物组合展开,以文物组合的形式传递信息,使专题性的文物展示得以与宏大的历史背景和特定的历史事件、历史人物相结合,同时注意将重点文物作为重要的信息传递点安排在展线的重要位置,起到调动观众观展情绪和控制展览节奏的作用。
With the development of modern ideas of service,modern media technologies,and new forms of information dissemination,museum exhibitions are shifting from the traditional model of taking objects as the core to the more information-oriented one.A systematic and comprehensive interpretation of cultural relics plays a crucial role in the construction of the exhibition story line.The three exhibitions-Bronze Civilizations in Qin and Shu Areas,Golden Memories:Gold Wares Prior to the 14 th Century Unearthed in China,Grand Banquet:The Exhibition of Southwest Bronzes-have gone beyond the boundaries set by the objects’original contexts by regrouping them under a broader historical background according to their connections with historical events or historical figures.Significant objects were placed on important spots of the exhibition as information dissemination points of the whole storyline with the aim to arouse the audience’s emotion and control the visiting rhythm.
作者
魏敏
WEI Min(Chengdu Museum,Chengdu,Sichuan,610000)
出处
《东南文化》
CSSCI
北大核心
2019年第6期104-110,127-128,共7页
Southeast Culture
基金
国家社科基金项目“博物馆展陈中考古文物信息的解读与重构研究”(18CKG022)阶段性成果
关键词
博物馆展览
历史文物
文物组合
信息解读
实物主导型陈列
信息主导型陈列
museum exhibition
historical figures
objects grouping
information interpretation
objects-oriented display
information-oriented exhibition