论《甘家洼风景》顺延伏笔式的叙事技巧

On Narrative Skills of Consecutive Foreshadowing of Ganjiawa’s Scenery

王保忠《甘家洼风景》小说采用顺延伏笔式的叙述技巧,在继承中有创新。他通过巧妙设置小说间关键词和题目关键词,承前启后,强化人物、情节或小说间的联系;也在看似不经意的季节时间、民俗生活时间的叙述中隐含了作者对甘家洼"变"与"不变"的思考。这种顺延伏笔式的叙事艺术,使得每篇小说各自独立,在情节、人物上又互相联系,既有独立审美性,也具有整体审美的可读性,能激发读者多次阅读冲动,具有解谜式的阅读效果。作家既有对古典文学、现代文学的叙事传统借鉴,也有对当代小说叙事技巧的吸纳乃至突破。王保忠小说叙事具有开放性、当代性、探索性的特征。

In Ganjiawa’s Scenery,Wang Baozhong adopts the narrative technique of consecutive foreshadowing,making innovation through inheritance. By skillfully setting keywords and title keywords in novels,he transitionally intensified the connection between characters,plots and novels. In the narrative of seemingly inadvertent seasonal time and folk life time,the author implied his thoughts on changed and unchanged Ganjiawa. The narrative makes novels independent but connected with each other in plots and characters,with independent aesthetic and overall aesthetic readability,which will stimulate readers’ incentive to reading and produce puzzle-solving effects. Wang Baozhong’s novel narrative,by learning from traditional narration in classical and modern literature as well as absorption and breakthrough of the narrative techniques of contemporary novels,expresses its openness,contemporaneity and exploration.