明清戏曲版画对康熙古彩人物纹饰的影响

The Influence of Ming and Qing Dynasties’ Opera Prints on the Decorative Patterns of Kangxi Ancient Color

在清康熙文化背景下,康熙古彩吸收发展成为我国古彩艺术的巅峰。在古彩装饰上人物纹饰种类多变,在表现方式、神态、色彩等方面都有自己的特色。明清时期戏曲版画随着民间需求不断发展扩张,其中许多戏曲故事逐渐运用在康熙古彩瓷中,对康熙古彩纹饰产生一定影响。本文试图通过明清民间艺术的影响与对比研究,论述明清戏曲版画艺术对康熙古彩瓷人物纹饰的影响。以构图、人物刻画及场景吸收等方面的演变规律与人物的表现手法和风格之间的相似性论述其中的传承关系。

Absorbing the cultural influence of the Kangxi period in Qing Dynasty, the ceramic ancient color in antique style then developed to be the peak of this style of all time. In ancient color decorations of this period, characters and patterns were varied, and they had their own characteristics in terms of expression, demeanor and color. During the Ming and Qing Dynasties, the opera prints continued to develop and flourish with the needs of the people. Many scenes from the opera stories were increasingly used as the motifs of the ancient color in Kangxi period, which had much influence on later antique color paintings in the Kangxi style. This paper attempts to analyze the influence of the folk arts of the Ming and Qing Dynasties on the decorative patterns of figures painted in ancient colors of Kangxi style through a comparative study. The inheritance between them are discussed by looking at their similarities in expressive techniques and styles in terms of composition, character portrayal and scene representation.