入窑一色，出窑万彩，曜变天目，古风古韵——吉州窑陶瓷产品创新设计研究

Transmutation from Monochrome to Polychrome and from Antique to Modern: Innovative Design for Jizhou Ware Products

吉州窑作为南宋时期最具代表性、最富创造力和装饰题材最丰富的民间窑场,在中国陶瓷史上占有十分重要的地位。为推动中国古代瓷业生产,其制作技艺作出了巨大成就。国内外很多窑口都曾受吉州窑的一些影响,但是吉州窑在我国的历史上曾断烧过一段时期。近年来,由于国家对非遗及传统文化的重视和保护,吉州窑受到了国家、省级、市级等政府部门的重点关注。本文主要从阐述吉州窑的发展历史、产品特点及衰落的原因开始,就吉州窑陶瓷产品近年来创新发展所遇到的瓶颈进行思考,提出了从文化创新、装饰纹样创新、产品造型创新、产品色彩创新、产品工艺创新等五大方面探讨吉州窑的创新之路。

Jizhou Kiln, one of the most representative, creative and colorful commercial kilns, used to have a very important position in Chinese ceramic history for its great contribution to the development of Chinese ancient ceramic manufacturing skills and technology. Its influence can be seen on many ceramic manufacturers inside and outside China, however, it stopped operation for a time in history. In recent years, owing to the state policies to care and protect the tangible and intangible cultural heritage, Jizhou ware has called the intensive attention from the governments of the state, province and city. This paper introduces the history of Jizhou ware, its characteristics and reasons of decline;then it explores the causes of the bottleneck in its development in recent years, and finally proposes the paths for its innovation in terms of culture, decorative patterns, shapes, colors and techniques.