期刊文献+

没骨法代表人物及其作品探索

On the Representative Figures of Boneless Technique and Their Works
下载PDF
导出
摘要 没骨法源自北宋,在清朝恽寿平手里得到升华,直至居氏兄弟大胆创新,使没骨法再次腾飞。当代使用没骨法的绘画多以传统为基础,以画法为纲要,在构图、用色、绘画对象等方面积极创新。但由于历史沿革过程漫长曲折,传统没骨法的研究资料可结合起源、发展和现状,收集没骨法画派的研究及拓展,发展性地、预判性地看待没骨法。 The history of boneless technique originates from the northern Song Dynasty,getting sublimated by Yun Shouping in the Qing Dynasty.After the development of several dynasties,Ju brothers make it soar again due to their bold innovation.At present,most paintings created by the boneless technique are based on the traditional one,and makes active innovation in composition,color,painting object with the painting method as the outline.However,due to the long and tortuous process of historical evolution,there are few research materials on the traditional boneless technique.Nowadays,if we want to have a deeper research on the boneless painting techniques,we should collect and sort out research materials in accordance with its origin,development and current situation,collect the research and expansion of boneless painting schools,so as to have a developmental and predictive view of boneless painting.
作者 顾影影 徐豪 Gu Yingying;Xu Hao(Art College of Anhui University of Finance and economics,Bengbu 233030,China)
出处 《黑河学院学报》 2019年第11期184-186,共3页 Journal of Heihe University
基金 2017年安徽财经大学研究生科研创新基金项目“中国画没骨画与工笔画画法融合对画面效果的影响”(ACYC2017258)
关键词 没骨法 绘画 院体画 文人画 boneless method painting imperial court decorative painting literati painting
  • 相关文献

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部