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古希腊雕塑中的美学观念流变

On the Aesthetic Concepts in Ancient Greek Sculpture
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摘要 古希腊雕塑艺术蕴含着丰厚的美学思想。古希腊时期雕塑作品的风格,可以划分为早期古典主义时期、成熟古典主义时期和希腊化时期。与此相对应,古希腊的美学观念也发生着变迁。古希腊早期古典主义时期雕塑的比例与和谐美中,体现着对数与秩序的追求;成熟古典主义时期雕塑的典雅与优美中,彰显着艺术对理念与心灵状态的模仿;希腊化时期雕塑的单纯与力量感,离不开希腊美学中对崇高与悲剧情感的探讨。这三个阶段的雕塑作品体现了古希腊人对美的本质的追寻与探索,为后世美学与艺术的发展奠定了基础。 The eternity of ancient Greek sculpture art lies in its rich aesthetic thoughts. The style of sculptures in ancient Greece can be divided into early classicism,mature classicism and Hellenistic periods. Accordingly,the aesthetic concept of ancient Greece also changed. The proportions and harmonious beauty of the ancient Greek sculptures reflect the pursuit of numbers and order. In the elegance and grace of the sculpture in the mature classical period,the imitation of the idea and the state of mind by art is highlighted. The simplicity and strength of Greek sculpture cannot be separated from the discussion of lofty and tragic emotions in Greek aesthetics. The sculptures of these three stages embody the ancient Greeks’ pursuit and exploration of the essence of beauty,and lay a foundation for the development of aesthetics and art in later generations.
作者 鲁艺 LU Yi
出处 《河南教育学院学报(哲学社会科学版)》 2019年第6期78-82,共5页 Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词 古希腊 雕塑 美学观念 ancient Greece sculpture aesthetic concepts
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