《活着》与《局外人》主人公文化身份的比较研究——以荒诞美学为视角

A Comparative Study of Cultural Identity of Protagonists in Alive and The Outsider from the Perspective of Absurd Aesthetics

以荒诞美学为视角,文章探索了《活着》和《局外人》作品中主人公文化身份的异同,并从生存信仰、文化背景、审美理念三个方面探究造成差异的原因,剖析两部作品对观察当代个体生存现状和社会问题的启发,揭示出了两个不同国度的荒诞世界对后世的价值和意义。

From the perspective of absurd aesthetics,this paper explores the similarities and differences of the cultural identity of the protagonists in Alive by Yu Hua and The Outsider by Albert Camus,and probes into its causes from three aspects:survival belief,cultural background and aesthetic idea.This paper analyzes the enlightenment of the two works to the contemporary individual living situation and social problems,and reveals the value and significance of the absurd world in two different countries to the later generations.