技术时代下“世界图像”神话的反思——以电影《柯达克罗姆胶卷》为例

Reflection on the Myth of “World Picture” in Technological Civilization: Taking the Film Kodachrome as an Example

电影《柯达克罗姆胶卷》以柯达胶片的历史消逝为线索,将一代人对胶片冲印的集体经验、当下数码摄影的反思和对未来电子尘埃的审视置于影片,并在线性时间对爱的追寻安排中探索艺术的真理性思考,建构起特定的怀旧记忆空间,去召唤读者在深陷机械复制时代的泥沼不自知中回到历史现场对影片的意义进行思考和再阐释。《柯达克罗姆胶卷》竭力在言说当代社会的文化症候困境,本文从文化研究的角度试图以影片为例探究技术时代下“世界图像”神话的反思。

The film Kodachrome,based on the fact that Kodak Film disappeared in modern society,showcases a generation of collective experience in film printing,the reflection of current digital photography and the examination of the future electronic dust.The film explores the truthful thinking of art in the pursuit of love under linear time,constructs a special nostalgic memory space and calls upon the reader to return to the historical scene to reflect and reinterpret the meaning of the film in the mire of mechanical reproduction.It aims to present the cultural syndromes and their predicaments in contemporary society.This paper tries to take the film as an example to explore the reflection on the myth of“world picture”in the technological era from the perspective of cultural research.