谈东西方艺术创作中的中西融合问题——以法蓝瓷为例

On the fusion of Chinese and western in the creation of eastern and western art--the case of Ephraim porcelain

自携带浓郁现代主义的西方绘画大量涌入中国大陆,中国本土艺术在与西方语言接触中的多次碰撞与融合,逐渐形成了艺术风格多元化并存的格局。由于东西方文化语境的差异,在进行艺术创作过程中存在诸多地域性与人文性差别,多样化的艺术风格导致人们对于中国本土艺术认知上的模湖,以至于中国本土化艺术陷入各种扭曲发展的困囿,从而衍生出了诸多磨合过程中的不良反应,在一定程度上阻碍了中国传统艺术走向世界的步伐。法蓝瓷的出现为解决东西方艺术的融合问题提供了更多的灵感与想法,它作为承载东方艺术与西方艺术的载体,完美地将中国的传统文化思想与西方的美学揉合为一体,并通过极具中国代表性的“陶瓷”展现出来。在法蓝瓷的艺术中,东西方的艺术就“瓷”相遇,碰撞出了灿烂的火花。本文将围绕法蓝瓷艺术创作中所涉及的中西文化融合现象,从不同层面展开分析法蓝瓷是如何将东西方不同的艺术语言完美地融合到一起的。

a large number of western paintings with strong modernism have poured into China's Mainland.Chinese native art has collided and merged with western languages for many times,gradually forming a pattern of diversified artistic styles.Due to differences in eastern and western cultural context,in the process of artistic creation has many regional and humanistic sex differences,the diversity of artistic style leads to cognitive fuzzy in Chinese arts,so that the development of Chinese local art in various distortions trapped beyond which spawned many adverse reaction in the process of running in,to a certain extent hindered the pace of China's traditional art towards the world.The appearance of French blue porcelain has provided more inspirations and ideas for the integration of eastern and western art.As the carrier of eastern art and western art,it perfectly integrates Chinese traditional cultural thoughts with western aesthetics,and presents itself through the most representative"ceramics"of China.In the art of French blue porcelain,the art of the east and the west on the "porcelain" encounter,collision a brilliant spark.This paper will focus on the fusion of Chinese and western cultures involved in the artistic creation of French blue porcelain,and analyze how the blue porcelain perfectly integrates the different art languages of the east and the west from different levels.