摘要
近代以来工业革命及科学技术的飞速发展,极大地改变了人类认知世界的方式,个人与他者、个人与世界的新关系投射到文学中,促进了文学"现代性"的生成。特别是近代科技带来的新的认知,对于文学现代性的生成起到了极为重要的作用。本文试图围绕电车这一近代都市新兴交通工具,从都市空间的角度对《少女病》进行解读。根据符号理论分析《少女病》中的女性形象,进而对小说主人公杉田在电车空间里的偷窥行为进行深层剖析,同时考证《少女病》与《棉被》的内在联系。
The rapid development of industrial revolution and science and technology in the West has greatly changed the way human beings perceive the world in modern times.The new relationship between individuals and others and between individuals and the world is projected into literature,which promotes the formation of literary "modernity".Especially the new cognition brought by modern science and technology plays an extremely important role in the generation of literary modernity.This paper attempts to interpret "Girls’Disease" from the perspective of urban space,focusing on trams,a new means of transportation in modern cities.Firstly,the females in Girls’Disease are analyzed according to the symbolic theory.Then,it deeply analyzed the peeping behavior of Sugida in the tram space.Finally,research the Inherent Relationship between "Girl Disease" and "Quilt".
出处
《日本研究》
2019年第4期87-92,共6页
Japan Studies
关键词
文学现代性
电车
符号
田山花袋
《少女病》
Literary Modernity
Tram Railway
Symbol
Tayama Katai
"Girls’Disease"