摘要
在乡村振兴的国家战略背景下,美丽乡村建设的重要性进一步提升。保留乡村地方感与艺术化再创造,是美丽乡村建设和社区营造的重要途径。乡村旅游艺术介入本质上属于“地方再建构”行为。基于段义孚人本主义地理学的相关理论,搭建“再建构环境模型”,对现有乡村旅游艺术介入路径进行分类,继而以北京昌平上苑艺术家村和密云张泉乡居为案例,通过对比研究,构建乡村旅游艺术介入模式。研究以问卷调查法、半结构访谈法和观察法展开。研究结果表明,“乡村艺术化”介入路径是有根基的、稳定的、可持续的,而“艺术乡村化”路径则显现出根基不稳、难以持久的问题。最后,在上述研究基础上,提炼出具有实践意义的“乡村-艺术共振型”乡村旅游艺术介入模型,并从人地关系、居有者意向、相关主体关系3个层面,对模型进行深入探讨,以期促进乡村社区的艺术再建构式甦生。
The involvement of art in rural tourism is one of the growing trends in rural tourism in China,and this phenomenon can be grouped into“reconstructing the local”activities.Therefore,the exploration into the integration pattern will contribute to the keeping and the building of the sense of place.Based on the theory of TUANYi-Fu’s humanistic geography,this paper builds a model of“reconstructing the environment”and classifies the art integration modes,puts forward the preliminary model of“integrating art into rural tourism”,and suggests the“mode performance evaluation form”in the context of integrating art into rural tourism.With Shangyuan Artist Village of Changping District,Beijing and Zhangquanxiangju of Miyun District,Beijing as cases,two typically representative art integration modes,i.e.,artist village and artistic village,are deeply explored to evaluate the performance of the modes.Questionnaire,semi-structured interviews and observational method are employed for the study.The research result shows that the mode of Artistic Village is grass-roots,stable,sustainable,and contributes positively to the rural revitalization,while the mode of Artist Village is weak,unstable,unsustainable yet still with some additional value,such as improving the attraction of rural tourism and balancing the tourism season.It is suggested that these two modes are actually complementary to each other,and a combination of two may serve as a better mode.Finally,based on the findings of the study,the paper traces back to the internal logic of the two typical cases,and attempts to propose a“resonance of art and village”practical development pattern of“integrating art into rural tourism”.With the deep exploration from three aspects of human-land relationship,owner’s intention and related subject relationship in the pattern,the paper works in concert with the ideal artistic reconstruction of rural communities.
作者
曾艾依然
张茵
ZENG Ai-yiran;ZHANG Yin(School of Landscape Architecture,Beijing Forestry University,100083,P.R.China)
出处
《北京林业大学学报(社会科学版)》
2019年第4期25-33,共9页
Journal of Beijing Forestry University :Social Sciences
基金
国家社会科学基金一般项目“国家公园管理中的公众参与机制研究”(17BGL122)