在回归与新设中创造南方少数民族文学——韦晓明的文学创作探析

Creating Southern Minority Literature in Return and New Establishment——Analysis of Wei Xiaoming’s Literary Creation

文学家不余遗力地描写自己熟悉的生活,哪怕这些生活早已被别人描摹过复制过,也要赴汤蹈火,其因就是"现实主义从一开始就一直是艺术发展的动力",这种动力强力轰开了"文学的宽泛",也就是说生活是不可能被描摹尽净的,生活是不可能被复制完毕的。芬克斯坦的这一论点,恰好为韦晓明的文学创作道路和小说创作的成功做了注脚。韦晓明小说里的故事是平凡的,但其小说形象的效应却容光焕发,因为他虽然写的只是家乡大苗山一系列非常普通的故事,构思结局的艺术手法却摆脱了传统陈旧的格局,从而震撼人心,令人回味,充满魅力。

Writers spared no effort to describe their familiar lives, even if these lives have been described and copied by others, they must go to the fire. The reason is that realism has been the driving force for the development of art since the beginning. This driving force has opened up the "broadness of literature", which means that life cannot be described completely, and life cannot be copied. Done. This argument of Finkstein is just a footnote for Wei Xiaoming’s literary creation path and the success of novel creation. The stories in Wei Xiaoming’s novels are ordinary, but the effect of his novel’s image is radiant.Because he wrote only a series of very ordinary stories in his hometown Damiaoshan, and the artistic method of conceiving the ending has got rid of the traditional antiquated structure, it is full of shocking, evocative and charming.