丰饶，或不及物的反刍——乔叶论

Abundance,or Intransitive Rumination——On QIAO Ye

乔叶擅长书写污名之下女性丰饶的内心,借妓女、有婚外情的女子等非常态人物,尊重并发掘每一个值得肯定与品味的被遮蔽的身体、欲望和人性,表现出丰饶的生命力和人生图景,以对女性心理自审的关注与挖掘为新世纪女性写作提供了新的命题、路径和可能。那些不断强化、有着丰饶内心的女性主体,在不同的文体与故事架构中带动着叙事策略、行文技巧一起闪转腾挪、自由出入,营造出互文式的对话之声,拓宽了文本的阐释空间,但对相关情节、题材与情境的反刍,也隐藏着作家陷入一种自我封闭与不及物的创作危机。在“70后”作家对正面强攻时代有着强烈的创作自觉与清醒体悟之下,乔叶展现出了向时代发声的努力与转型,希翼以一种非个人化的经验、话语、洞察与叙事来深度地介入现实、阐释历史,但在实际书写中又不自觉地陷入与现实、历史相脱钩的侧面迂回与不及物姿态。

QIAO Ye is good at writing the rich inner life of the female under the stigma,using the abnormal characters such as prostitutes and women with extramarital affairs to respect and discover every concealed body,desire and humanity worthy of affirmation and taste,it shows abundant vitality and life prospect,and provides new proposition,route and possibility for female writing in the new century by paying attention to and excavating female psychological self-examination.The female subjects,who are constantly strengthened and have a rich heart,bring together narrative strategies and writing techniques in different styles and story structures to create the sound of intertextual dialogue,it broadens the interpretation space of the text,but the ruminations on the relevant plots,themes and situations also hide the writer's self-closing and intransitive creation crisis.Post 70s writers had a strong creative consciousness and clear understanding of the era of frontal attack,QIAO Ye showed her efforts and transformation to voice the times,with a kind of impersonal experience,discourse,insight and narration,she hopes to deeply involved in reality and explained history,but in the actual writing,she unconsciously fell into the side circuitous and intransitive posture which was separated from reality and history.