道德再现与政治表达——唐燕妃墓、李夫妇墓屏风壁画相关问题的讨论

On The Illustrated Moral Pursuit and Political Stand in The Painted Screen of The Tomb Chambers of Yan Concubine and Couple Li Ji, Tang Dynasty

初唐燕妃墓、李夫妇墓均为昭陵陪葬墓,两墓屏风壁画题材内容与人物造型、装束不同寻常,遂引起学者关注。本文首先通过墓志、碑铭及相关传世文献记载,总结概括了燕妃、李的生平事迹,并立足汉唐绘画史脉络与格局,分析了两墓屏风壁画的视觉传统和时代特征,肯定了屏风为列女题材。同时,作者结合具体历史情境,考察了壁画的绘制意图,阐明了其兼具道德与政治双重意义,既展现了墓主人或家属的道德诉求,亦表达了他们随附武后的政治立场。

The screen wall-paintings in the chambers of Yan Concubine and Couple Li Ji,both of which are subordinate tombs to the Zhao mausoleum(Emperor Taizong,Tang dynasty),draw much attention of scholars for their content and the style of the figures and costume.The analysis in the thesis covers three aspects:the life stories of Yan Concubine and Couple Li Ji by the related epigraph,inscriptions and handed-down literatures;the visual tradition and time feature of the illustration in the context and pattern of the art history of the Han through Tang dynasties,and the conclusion that follows that the figures are the women of virtue of ancient times;the intention of the paintings.What is analyzed above suggests that the paintings illustrate the moral pursuits and political stand of the tomb masters or their relatives.