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论“慰安妇”题材纪实文学的身体话语 被引量:1

On the Body Discourse of the “Comfort Women”—themed Documentary Literature
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摘要 自第二次世界大战到20世纪90年代,“慰安妇”作为累积了多重弱势身份的个体叙事几乎处于噤声状态,她们被主流战争史叙述挤压至底层,而无法成为“声音”的主体。在全球化的女性主义运动推动下,“慰安妇”沉默的现状方被打破,相关题材的纪实文学逐渐增多。在这类作品的叙述中,她们的“身体”常处于日军暴力的全面宰制之中、从而导致她们在战后遭受社会及自我贱斥。她们背负日军暴力、男权和父权社会共同作恶造成的身心创伤,在见证的困境中创造言说的可能,以身体话语抵抗污名和见证日军的战争性暴力罪行。 From WWII to the 1990s,“comfort women”as individual narratives combining multiple vulnerable identities were almost in a state of silence,which was squeezed to the bottom by the narrative of mainstream war history,and became“voiceless”.Driven by the global feminist movement,the status quo of the silence of“comfort women”was broken,and the“comfort women”—themed documentary literature gradually increased.In the narrative of this literature genre,their“body”was frequently under the overall control of violence by the Japanese army,and“comfort women”suffered a lot from the postwar social and self-deprecation.Bearing the physical and psychological trauma from the violence of the Japanese army,male and patriarchal society,they created the possibility of recounting their sufferings through the body discourse in the dilemma of witnessing,resisting the stigma and narrating the war violence of the Japanese army.
作者 黄文凯 Huang Wenkai
出处 《日本侵华南京大屠杀研究》 CSSCI 2019年第4期37-47,136,137,共13页 Journal of Japanese Invasion of China and Nanjing Massacre
基金 国家社会科学基金项目“战后中西大屠杀文学书写比较研究”(16BWW075) 中国博士后科学基金第11批特别资助项目“再现的可能与虚构的限度”(2018T110472)的阶段性成果
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