从宋庄画家村看中国艺术界的实践策略

The practice strategy of Chinese art worlds from Songzhuang art district

本文以北京最大的艺术家聚集区宋庄作为对象,以改革开放40年中国社会变迁及经济全球化发展为背景,考察艺术区发生和发展的中国实践之路,将问题聚焦在艺术界内关系的交互和艺术系统的再生产上。从最初的画家村“乌托邦”,到市场繁荣下的“艺术家社区”生态变迁,再到政府主导下的“艺术产业时代”,本文希望从艺术界互动关系的实践策略出发,为了解中国艺术界的变迁动因及当下实践提供一个视角。

This paper takes Songzhuang,the largest artists'gathering area in Beijing,as the object,and takes China's social change and globalization in the past 40 years of practicing reform and opening up policies as the background to observe the practice of the appearance and development of art districts in China,focusing on a relation of interaction within the art worlds and reproduction of art system.From the initial"utopia"of artists'village to the ecological change of"artist community"under the prosperity of the market,and to the"era of art industry"with government-led.This paper aims to present a perspective from the practical strategy of interactive relations for readers to comprehend the changes of motivation and current practice in the Chinese art worlds.