摘要
达尔豪斯教授在本书中阐述了一个复杂的课题,即对历史原理的反思。这些反思是从事音乐历史哲学写作领域的研究者出于在写作19世纪音乐史时所遇到的实际困难。书中运用大量的哲学辩证色彩来论述音乐及其历史。是的,德国哲学传统的术语已经闯入了艺术的领地。本文对《音乐史学原理》进行概述和简要分析。
Professor Dahlhaus has expounded a complex subject in his book,that is,to reflect on historical principles.These reflections are the practical difficulties encountered by the researchers who are engaged in the field of music history and philosophy in writing music history in the 19th century.The book uses a large number of philosophical dialectical colors to discuss music and its history.Yes,the traditional terms of German philosophy have broken into the realm of art.This article gives an overview and brief analysis of the principles of musical history.
作者
王雅楠
乌兰其其格
Wang Yanan;Wulan Qiqige(Department of music,art college,010010)
出处
《内蒙古艺术学院学报》
2019年第4期159-163,共5页
Journal of Inner Mongolia Arts University
基金
2018年内蒙古自治区高等学校科学研究重点项目“符号与声音:成吉思汗祭祀祭文及其音乐研究”(项目编号:NJSZ18245)阶段性成果。
关键词
音乐史学原理
音乐历史写作
音乐与历史
音乐作品
principles of music history
music history writing
music and history
music works