摘要
《金翼山谷的冬至》作为我国第一部加入新媒体网络直播的影视人类学片,实现了将影视人类学与新兴媒体技术的"互动"与融合。本文从这部作品的创作出发,结合"社会互动"理论和传播的基本原理,分析新媒体技术与影视人类学的"互动"带来的艺术创作、主客体关系、受众感受等方面的思考,以得到回归哲学思考和技术基础,作为"互动"精神推动艺术创作中必由之路。
The Solstice in the Valley of Gold Wing,as the first anthropology film to join the live broadcast of new media network,realizes the"interaction"and integration of visual anthropology and new media technology.Starting from the creation of this work,combined with the theory of"social interaction"and the basic principles of communication,this paper analyzes the thinking of art creation,subject object relationship,audience experience and other aspects brought about by the interaction between new media technology and visual anthropology,so as to return to philosophical thinking and technical basis,which is the only way for the"interaction"spirit to promote art creation.
作者
龚诗尧
陈刚
Gong Shiyao;Chen Gang
出处
《广西民族研究》
CSSCI
北大核心
2019年第6期50-57,共8页
GUANGXI ETHNIC STUDIES
关键词
影视人类学
新媒体技术
互动理论
visual anthropology
new media technology
interactive theory
