摘要
基于广东地区的传统乐语表达基础,及对相关研究成果的梳理整合,本文将粤乐传统乐语"线"划分为调弦、调式、律制、转线、调性五义,并据此划分对相关的研究文献进行纵向的梳理与分析,以探讨广东传统乐语之发展,一窥粤乐近代传承脉络,以引发更多学者对此的关注与探讨。
Based on the expression of Cantonese traditional Yueyu,this essay divide Yueyu line of traditional Cantonese music into tuning, musical mode, temperament system, line-transfer, tonality, and the relevant research literature is vertically sorted, contrastively analyzed and summarized. In this way, we hope to see the development of Cantonese music in modern times and arouse more scholars’ attention and discussion on this.
作者
杨诺鸣
YANG Nuoming(Musicology Department,Zhejiang Conservatory of Music,Hangzhou 310000,Zhejiang)
出处
《丽水学院学报》
2020年第1期71-77,共7页
Journal of Lishui University
关键词
乐语
粤乐
线
Yueyu
Cantonese music
line