摘要
音乐剧的现场调音是演出中不可或缺的重要部分,音响工作者要明确自身的工作目标,要懂得理解作品、欣赏作品,并且灵活、适度地运用技术手段处理现场调音的问题。文章以音乐剧《青天之端》为例,探讨现场调音的原则与音响策划思路。
The on-site toning of musicals plays an indispensable role in the performance.The workers who are responsible for the video shall make clear their own work objectives,understand and appreciate the works,and at the same time,be able to use technical means flexibly and moderately to deal with the problem about the on-site tuning.Taking the musical of Qing Tian Zhi Duan as an example,this paper discusses the principles of onsite tuning and the working ideas of the video.
作者
陈林君
CHEN Linjun(Venue Center of Zhaoqing University,Zhaoqing,Guangdong 526061,China)
出处
《肇庆学院学报》
2020年第1期86-90,共5页
Journal of Zhaoqing University
基金
肇庆学院2017年质量工程及教学改革项目(zlgc201762)
国家艺术基金2019年度资助项目(2019-A-04-038-0580)
关键词
音乐剧
青天之端
调音
B声音处理
musical opera
QingTianZhiDuan
sound control
sound processing(