元和政坛与白居易诗歌李杨故事的主题流变

The Political Situation of Yuan He and Evolution of the Theme of the Story of Bai Juyi’s Poetry about Li and Yang

盛世回忆在唐宪宗朝具有政治符号的作用:宪宗即位之初,李绛等人凭借盛世回忆与唐宪宗产生政治默契,白居易的《长恨歌》是其文学表现;元和初年,谏官政治不断走向高潮,《新乐府》即是该阶段的文学产物;元和后期,随着宪宗对崔群等人的情感疏离,盛世回忆作为政治权力的功能减弱,盛世回忆因之转化成了个人感伤的作品,即白居易的《江南遇天宝乐叟》。从回忆、权力、文学三者关系,可以重新梳理白居易诗歌李杨故事的主题之变,进一步考察白居易拔擢、被贬的文化原因。

The memory of the prosperous era had the role of political symbols in the Tang Xianzong dynasty: At the beginning of Xianzong’ s reign, Li Jiang and others used the memory of the prosperous words to create a political tacit understanding with Tang Xianzong and Bai Juyi’ s " The Song of Everlasting Sorrow" was the presentation of literature.In the YuanHean early years, the remonstrative officials’ politics continued to climax, and the " New Yuefu" was the literary product of this stage.Later,with the emotional alienation of Xian Zong from Cui Qun and others,the memory of the prosperous era recalled as a function of political power,and the memories ofthe prosperous era recalled for personal sentimental worked such as " Met an old man in Jiangnan,a royal musician in the Tianbao era.".From the relationship of memory,power,and literature, we can reorganize the changed in the theme of Bai Juyi.It is possible to re-examine the cultural reasons why Bai Juyi was lifted and detained.