“自我”在历史变迁中的浮沉——谈20世纪30至50年代李健吾批评风格的转变

The Ups and Downs of “Ego” in Historical Changes——On the Transformation of Li Jianwu’s Criticism Style from 1930s to 1950s

20世纪30年代初登文坛的李健吾以对“自我和风格”的无上推崇而使他在当时的众多评论家中独树一帜、自成一体。然而,20世纪30年代到50年代中国社会复杂多变的时代背景使这位现代自由主义知识分子和学院派文人的文学批评中的“自我”意识不断沉浮,他文学批评中的“自我”从30年代的灿然走向了40年代的黯然,再到50年代的哑然。这其中包蕴了丰富的个人及历史和时代信息,值得我们深思。

Li Jianwu,who appeared in the literary world in the 1930s,became a unique and independent critic with his great respect for“ego and style”.From 1930s to 1950s,however,the times background of Chinese society is so complicated to make“ego”consciousness,which was as the mark of the modern liberalism intellectual and academic scholars in literary criticism,constantly ups and downs.The“ego”in his literary criticism was from being brilliant in the 1930s to being dim in the 1940s,then to being silent in the 1950s.This contains a wealth of personal and historical information,which deserves our deep consideration.