浅谈古彩艺术中的吉祥图案及其艺术价值

On auspicious patterns and their artistic value in ancient color art

吉祥,中国人与生俱来的追求,人们根据世间万物的象征意义,把它们有规律的搭配组合在一起形成了富有吉庆祥瑞寓意的图案,这就是吉祥图案,原古时期的图腾可以看作最早的吉祥、崇拜的标志纹饰。吉祥图案与专为刻画外形的装饰图案很大的不同是,其重点关注事物所蕴含的寓意。吉祥图案给人以视觉美感,虽然看到的是形象,但内心感受到的却是形象之外的语言,让人们产生美好的联想和祝福,使人精神愉悦。明清时期的吉祥图案盛行,并影响到其它的艺术形式,瓷屈、国画、版画上较常见,瓷器在运用专业技法进行器物装饰时,不仅增加了器物的审美趣味,更将人民对美好生活的期盼通过器物传达出来。

Auspiciousness is the inherent pursue of the Chinese people.According to the symbolic meaning of all things in the world,people combine them regularly to form a pattern full of auspicious and auspicious meanings,which is auspicious pattern.The totem of the ancient times can be regarded as the earliest symbol decoration of auspiciousness and worship.The great difference between auspicious patterns and decorative patterns designed to depict shapes is that they focus on the implied meaning of things.Auspicious patterns give people visual beauty.Although what they see is image,what they feel inside is the language outside the image,which makes people have good associations and blessings,and makes people feel happy.In Ming and Qing Dynasties,auspicious patterns prevailed and influenced other art forms.Porcelain painting,traditional Chinese painting and printmaking are common.When using professional techniques to decorate wares,porcelain not only increases the aesthetic taste of the wares,but also conveys the people's expectation for a better life through the wares.