浅谈瓷上山水画的艺术表现及内涵

On the Artistic Expression of Landscape Painting on Porcelains

禅宗与中国山水画联系密切,从禅宗参禅的三种境界“看山是山”到“看山不是山”再到“看山是山”来看,这其中的审美过程经历了一个思维和审美的飞跃。山水精神是中国传统知识分子的共同理想,从“仁者乐山,智者乐水”到“山水以形媚道,而仁者乐”,山水画寄托了中国文人的理想追求,山水逐渐变为拟人化的理想对象。在景德镇陶瓷绘画中,山水题材同样是非常庞大的题材。它有着什么样的艺术表现,又有什么样的含义呢?本文就瓷上山水绘画的表现形式及意义展开论述。

Chinese traditional landscape painting is connected with Zen meaning.From the three realms of Zen meditation,from"seeing mountain is mountain"to"seeing mountain is not mountain"to"seeing mountain is mountain",the aesthetic process has experienced a leap of thinking and aesthetic.The spirit of mountains and rivers is the common ideal of Chinese traditional intellectuals.From"benevolent people enjoy mountains,wise people enjoy water"to"mountains and rivers are beautiful in form,while benevolent people enjoy music",landscape paintings are entrusted with the ideal pursuit of Chinese scholars,and mountains and rivers gradually become the ideal object of personification.In Jingdezhen ceramic painting,landscape theme is also a very large theme.What kind of artistic expression does it have and what kind of meaning does it have?This paper discusses the form and significance of landscape painting on porcelain.