浅谈璎珞纹在明青花瓷上的运用方式及其美学意义

On the application of Yingluo pattern in Ming blue and white porcelain and its aesthetic significance

陶瓷装饰璎珞纹在不同时期,受到当时的审美水平限制具有不同的特点。本文首先简要阐明璎珞纹的本质及其起源,并结合图片深入探讨它在明代青花瓷上是如何起到装饰作用的。结合自己对相关文献和材料的粗浅认知,从理论上尽可能地挖掘璎珞纹装饰在明青花瓷上产生的美学意义。

Ceramic decorative ornaments in different periods,limited by the aesthetic level at that time,has different characteristics.In this paper,the essence and origin of wreath pattern are briefly explained,and how it plays a decorative role in blue and white porcelain of Ming Dynasty is discussed in combination with pictures.Combined with their own understanding of the relevant documents and materials,the aesthetic significance of decorative wreaths on Ming blue and white porcelain was excavated as much as possible theoretically.