摘要
联珠纹自丝绸之路传来就在中国纹饰占着特殊的地位,也是中外文化交流融合的表现。但在马家窖时期,在马厂类型的陶器上就发现了联珠纹样,所以联珠纹在中国的起源仍是一个值得探讨的问题。不过可以肯定的是,丝绸之路之后的六世纪以后,联珠纹饰在各种纹样装饰种类渐渐多起来J尤其是他对新疆地区纹锦纹饰的影响很深。本篇文章就是从联珠纹饰的起源研究分析,并对比隋唐后联珠纹之间类别种类的划分,从而解析联珠纹在中国发展的来龙去脉和变化。
Since the silk road,beads have played a special role in Chinese ornamentation,which is also a manifestation of cultural exchange and integration between China and foreign countries.However,in the majiayao period,beads were found on machang pottery,so the origin of beads in China is still a question worth discussing.However,it is certain that after the silk road,after the sixth century,beads gradually became more and more decorative in various patterns,especially in xinjiang,where they had a deep influence on brocade patterns.This article is from the origin of beads decorative research and analysis,and compare the sui and tang dynasties after the types of beads between the categories of categories,so as to analyze the development of beads in China and changes.
作者
孙立新
Sun Lixin(Jingdezhen Ceramic Institute,Jingdezhen,333000)
出处
《陶瓷研究》
2019年第5期116-118,共3页
Ceramic Studies
关键词
联珠纹
纹饰
丝绸之路
Bead grain
emblazonry
the silk road