摘要
纪录片之于中国,准确地说它是一种舶来品。当它第一次进入中国人的视野,我们能够想象它为人们带来的视觉冲击与心灵震撼有多么强烈。1958年,北京电视台宣告成立,国内电视事业由此起步。时至今日,中国纪录片创作已经走过了60年的发展历程。文章以形象化的政论、文化寻根、个人表达以及市场化生存四个时代维度对国内纪录片创作在主题特征、价值构建、表现形式、美学风格等方面的变革过程进行系统的分析与研究,试图梳理出国内纪录片创作特有的“性格发展”图谱。
Documentary is a kind of exotic product to China.When it first entered the vision of Chinese people,strong visual impact and spiritual shock was brought about.In 1958,Beijing TV Station,which started the domestic TV industry,was founded.Up to now,Chinese documentary creation has gone through 60 years of development.Based on visualized political theory,cultural roots,personal expression and the market-oriented survival,this paper makes a systematic analysis and research on the reform process of the domestic documentary creation in the aspects of the subject characteristics,the value construction,the form of expression,the aesthetic style,and so on,tring to sort out the unique“character development”atlas of domestic documentary creation.
作者
杨旭
YANG Xu(Gansu Broadcasting Group,Lanzhou 730000,China)
出处
《兰州文理学院学报(社会科学版)》
2020年第1期93-98,共6页
Journal of Lanzhou University of Arts and Science(Social Science Edition)
关键词
形象化政论
文化寻根
个人表达
市场化生存
纪录片
visualized political theory
cultural roots
personal expression
market-oriented survival
documentary