摘要
唐代司空图的《二十四诗品》可谓是中国古代美学的代表作,具有丰富的美学价值。康德是德国古典美学的集大成者,"自然美"是其一直追求以及提倡的,其内涵与司空图的"自然"品不谋而合。质、量、关系、模态是康德审美判断力的4个契机,借鉴这4个契机去分析《二十四诗品》,对司空图的"自然美"进行剖析,能揭示"自然美"的内在依据以及"自然美"的本体论本质。
As a representative of ancient Chinese aesthetics, Sikongtu’s Twenty-Four Poems in Tang Dynasty has great aesthetic value. The "natural beauty" in Sikongtu’s poems coincide naturally with that pursued and advocated all along by Kant, the epitome of German classical aesthetics. Quality,Quantity,Relation and Modality are the four groups of aesthetic judgment proposed by Kant. By making a deep analysis on the basis of this,the internal ground and the ontological essence of the "natural beauty" in Twenty-Four Poems can be revealed.
作者
薛晓璐
XUE Xiaolu(School of International Chinese Studies,East China Normal University,Shanghai 200062,China)
出处
《江苏工程职业技术学院学报》
2019年第4期45-48,共4页
Journal of Jiangsu College of Engineering and Technology