摘要
韩少功七十年代的写作没能超越时代的局限,而新时期的"伤痕"写作也没有形成独特的风格。1974-1984年是韩少功的"习作期"。从七十年代文学和新时期文学的关系角度看,他的"起点"应是《夜宿清江浦》。从酝酿"寻根"、形成风格的角度看,他的"起点"应是1980年的学潮。
Han Shaogong ’s writing in the 1970 s didn’t transcend the limitations of the times, and his "scar" writing in the new period didn’t form a unique style. From 1974 to 1984 was his practice period. From the perspective of the relationship between the 1970 s and the new period, his literary origin should be Ye Su Qing Jiang Pu(stay in Qingjiangpu at night). From the perspective of brewing seeking roots and forming a unique style, his literary origin should be the student movement in 1980.
作者
原帅
YUAN Shuai(School of Chinese Language and Literature,Hebei Normal University,Shijiazhuang 050024,China)
出处
《云梦学刊》
2020年第2期118-124,共7页
Journal of Yunmeng
基金
国家社会科学基金青年项目“1970年代小说文献的整理与研究”(16CZW053)