摘要
从思想观念角度对比中西方古典绘画的空间秩序建构理论,以自然景观作为绘画对象的意义及其正当性的确立等基本问题,探讨中西方古典绘画在文化本原层面的异同,对于当下艺术的世界化发展与融合有一定的理论意义。
From the perspective of ideology,this paper compares the space order construction theory of Chinese and western classical painting,the significance of taking natural landscape as the painting object and the establishment of its legitimacy,and discusses the similarities and differences between Chinese and western classical painting at the level of cultural origin,which has certain theoretical significance for the development and integration of contemporary art in the world.
作者
王平
WANG Ping(School of Fine Arts,Qiannan Normal University for Nationalities,Duyun 558000,Guizhou,China)
出处
《黔南民族师范学院学报》
2020年第1期119-124,共6页
Journal of Qiannan Normal University for Nationalities
基金
2019年度黔南州优才访学计划成果论文
关键词
风景画
山水画
空间
观念
landscape painting
Chinese landscape painting
space
concept