当代风景画创作的心物之境

The State of Mind and Object in Contemporary Landscape Painting

中国的风景画是一个外来画种,但今天的风景画已完全融入中国艺术的土壤,成为当代绘画的一个重要形式。风景画的发展既得益于工具和材料上的突破,也归功于创作方法和观念上的演进。如何全面探索风景画的技法,丰富风景画的创作语言,已成为当代风景画家积极思考的问题。通过深入理解传统文化,挖掘传统内涵,提炼传统元素,对传统艺术的思维、题材、技法等方面进行借鉴与参考,可为中国当代风景画创作提供一种新思路,也是助推当代艺术发展的一个积极因素;借助传统程式,既可促进当代风景画在造型语言和风格上的创新,又有助于探寻符合时代需求的艺术精神和审美意境。

As a style of western painting, landscape painting has fully integrated into the soil of Chinese art nowadays and has become a significant form of contemporary painting. The development of landscape painting depends not only on changes of the tools and materials, but also on the method and art conception. Nowadays, more efforts are expected to be devoted to how to explore the techniques of landscape painting in an all-round way and to enriching the creative expression in the painting. It can provide a new perspective and a positive contributing factor in the contemporary painting by understanding the traditional culture, exploring the connotation of tradition, extracting the traditional elements, and borrowing ideas from the thoughts, the themes and the techniques of tradition. With the help of traditional formulas, it is not only conducive to the innovation of modelling language and style of contemporary landscape painting, but also to the generation of artistic spirit and aesthetic mood in line with the needs of the times.