杜甫七律诗的结构方式论析

Study on Du Fu’s Seven-character Poems

杜甫七律技法纯熟,足为后世垂范,其结篇之法尤为后人称道,古人对此已论之颇备。但出于写作需要,各结构形式在具体实现方式上必定有所变化,从而衍生出更多的次级结构类型,对此问题的探讨却仍付之阙如,实有详加梳理之必要。在此即以整理杜甫七律诗各结构形式的次级结构类型为切入点,细致分析各类型的具体结篇方式及其特性,从而全面深入地解析杜甫七律的结构方式和技巧。不仅如此,通过对杜甫七律结构方式的梳理,还一定程度上证实了古人所谓起承转合、前后解等结构理论的合理性。

Du Fu’s seven-law technique is skillful,and it is enough for the later generations. The method of its completion is especially praised by later generations. The ancients have already said this. However,due to the need of writing,the various structural forms must be changed in specific implementation methods,and thus more sub-structure types are derived. However,the discussion of this issue is still unsuccessful,and it is necessary to sort out the details. Here,we will sort out the secondary structure types of the various forms of the rhododendrons as the starting point,and carefully analyze the specific methods and characteristics of each type,so as to comprehensively and deeply analyze the structure and skills of the rhythm. Not only that,but through the combing of the Du Fu’s seven-law structure,it also confirms the rationality of the so-called structural theory of the ancients.