论老舍《四世同堂》的叙事视角

On the Narrative Perspective of Lao She’s Four Generations under One Roof (SiShiTongTang)

《四世同堂》是老舍小说的力作之一,百万字的鸿篇巨制使老舍在选取全知视角的同时,通过对中国民间说书技艺和西方叙事技巧的吸收运用,完成了视角在人物外部和内心的双向流动。这种视角的跳跃实际上为语言的使用和人物的刻画提供了便利,老舍在视角流动切换中对叙述和人物语言的京味儿语言进行糅合处理,以人带事,从而通过人物形象的塑造将纷繁复杂的事件和线索有条不紊地进行下去,并从中显示出老舍在抗战时期对文化和社会人生的思考。

Four Generations under One Roof(SiShiTongTang)is one of the masterpieces of Lao She.Because of its length with millions of words,it enables the writer has select an omniscient perspective and completed the two-way flow of perspectives outside and inside the characters through the absorption and application of Chinese folk storytelling techniques and western narrative techniques.It provides a convenient for the using of language and figure depicting.In the convert of perspective,Lao She mixed the narrative language and the characters'Beijing dialect,introduced the event through character.Through the character,the writer proceeded the complicated events and clue orderly and embodied the writer's thinking on the culture,society and life during the period of Anti-Japanese War.