略论中国戏曲中的“漂泊”母题

A Brief Exposition on the Motif of "Wandering" in Chinese Traditional Opera

"漂泊"是中国戏曲中一个重要的创作"母题",是古代剧作家生命状态的缩影、人生理想的悲歌和大环境下渺小个人的真实见证。其中,"羁旅""荣归""梦回"是三种对"漂泊"诉说的重要方式,普遍存在于中国戏曲的舞台演绎上,至今仍具有旺盛的生命力。本文就以上三种表现形式,从具体剧目出发,对漂泊意识与中国古典戏曲之间的内在联系进行阐释,以人的关怀角度作为切入点,论析中国戏曲在文化上的当代意义。

Wandering consciousness is an important creation "motif" in Chinese traditional opera, and it is the epitome of the life state of Chinese ancient playwrights, the elegy of life ideal and the real testimony of small individuals in the great environment. Among them, "wanderers’ guest house", "glorious return" and "dream return" are three important ways to tell about "wandering", which is prevalent in the stage interpretation of Chinese traditional opera, and still has strong vitality. Based on the above mentioned three forms of expression, this paper explains the inner relationship between the wandering consciousness and Chinese traditional operas from the specific plays, takes the perspective of human care as the starting point, and analyzes the contemporary significance of Chinese traditional operas in culture.