诗传与诗史的悖论：杜甫《八哀诗》论

On the Eight Sorrows——The Paradox of Poetry and the History of Poetry

杜甫的《八哀诗》是他诗史中呕心沥血之作,主题的重大、撰作的精心、篇制的宏伟、诗体的选择,都付出了绝大力气,不仅弥补了诗史的传记体的缺失,属于创举,而且倾注了深切的感情。然而,它却遭受到后人尖锐的批评与无奈的冷漠。杜甫叙事性的诗史是成功的,而其中诸多手法在千头万绪的传体诗中派不上用场。故非集中高作,而受到冷置。

Du Fu’s Eight Sorrows is his of painstaking work,the theme of the major,the writing of the careful,the magnificent composition,the choice of poetry,have paid great efforts,not only make up for the absence of the biographical body of poetry history,belong to the initiative,but also poured deep feelings. However,it suffered sharp criticism from future generations and helpless indifference. Du Fu’s narrative history of poetry is successful,and many of the techniques are not useful in the all-encompassing poetry. Therefore,it is not concentrated high work,by cold.