唐代织锦纹样陵阳公样的窠环形式流变研究

A study of the Lingyanggongyang ring form in the brocade pattern of the Tang dynasty

唐代文化大融合的背景下,织锦纹样陵阳公样的窠环形式变迁,不仅是纹样主题演变的结果,也是受众生活状态与思想认知的反映。通过图像倒序分析法,对新疆吐鲁番、青海都兰和甘肃敦煌等地出土的陵阳公样织锦进行图像考证,并结合唐史,以民族文化、中外文化、南北文化三种文化融合方式为背景,按照年代顺序,对其进行窠环骨架的发展与窠环图案特点的图像信息总结,明确窠环图案的深层文化内涵与大众审美方向,分析唐代受众心理状态与思维方式两方面与陵阳公样窠环纹样流变的映射关系。

Under the background of cultural integration in the Tang dynasty,the next ring form change of the Lingyanggongyang pattern was not only the result of the evolution of pattern subjects,but also the reflection of the the audience’s life state and ideological cognition.Through the image reverse analysis method,the textual research was conducted on the Lingyanggongyang patterns earthed from Xinjiang Tulufan,Qinghai,Dulan,Gansu Dunhuang.Meanwhile,in combination of the history of Tang dynasty and under the background of integrating three cultures including national culture,culture at home and abroad,and north and south culture,the development of ring-shaped skeleton and the image information of nest ring pattern characteristics were summarized,and the deep cultural connotation of the nest ring pattern and the public aesthetic direction were obtained.In addition,the mapping relation between psychological states&thinking mode of the public in Tang dynasty and rheology of nest ring pattern of the Lingyanggongyang pattern was analyzed.