民族精英与当代村寨歌舞乐发展

Ethnic Elites and Development of the Contemporary Rural Song and Dance Music

从20世纪80年代初至今近40年是中国经济文化迅速发展的重要时期,语境的变化让各文化事项的组织结构经过了解构、重构等历程。村寨“神圣艺术”“日常艺术”和“文化表演”的界限逐渐模糊,在政府、民族精英与民众等各方力量共谋的过程中,民族精英成为现代文化与传统文化交融的重要一环,在不悖民众对民族传统文化认同的基础上“适应需求”,其选择、行动直接或间接影响着民族村寨歌舞乐的传承、变异及其发展走向。

The last four decades are the critical period of the rapid development of economy and culture in China.The changes of context has made the composed elements of all types of cultural projects experience the process of deconstruction and reconstruction.The boundaries between“sacred art”“daily art”and“cultural play”in the villages are gradually blurred.In the way of making mutual effort from governments,ethnic elites and the ordinary people,ethnic elites have become the crucial part of the modern and traditional cultural integration.They“adapted to the demand”on the basis of corresponding to the public identification for the traditional culture,and their potions and actions directly and indirectly affect the inheritance,variation and development of the folk song and dance music.